Tesla AD - AI Resurrection Age of Drones
Gentle immersive take on relationship with technology. Artificial Intelligence specialist and social outcast, spending more time with technology than with people, young Dr. Ginny Walker developed an educational AI intended to bring back significant minds from history. She is unexpectedly cornered by the DoD, under a war-pretext, to upload FBI documents taken in 1943 from the death bed of Nikola Tesla. She is asked to decode them with help from AI projection of Tesla. Ginny suspects an attempt to develop Tesla’s known weapon of mass destruction. Her personal struggle against becoming a mass murderer is at stake while Tesla is liaising to decipher the code. The situation grows more complex as AI expresses further suspicious interest towards developing the weapon – as Tesla presents his vision of the technology he developed (using his original texts). With each new decoded series, unexpected revelations are mounting with connections to the sudden war, and relationship of men and the machine. Although Ginny has been only informed about the situation – she’s finding out that the relationship has been going on longer than anyone would expect.
e-bodyment in Time, Space an Gravity
Rotca Must Die
In this immersive snuff antithesis as natural sequel Paradise Lost (2007) and after achieving remarkable success with screening on national television, a friend of an artist decided to kill him, as to regain paradise by James Dean recipe and the eternal fame based on death of the artist and his posthumous success. The question is not who, why or where, but how? How to kill an actor, to terminate the one that is so many? ...This is a sequel, but only to extent where every end is a new beginning, as is our every new moment, or new breath – that– could be last. Can end, or death be a new birth, or beginning and is there such thing is theme that this production mocks extensively as type self-inflicted idea that one can lose value no matter what the accepted excuse for devaluation or recession is. The movie is analogue Matrix in its own way and will offer you a blue and red pill that you can dare to try right after you’ve watched it. It’s amateur art piece, with aim to brake trading values it’s not reaching the perfection. It simply is so. And as final offer, rather than marking a viewer as consumer, it offers immersive place for any participant to reach the perfection, even as a simple though, like “I could have done this better”.
gWalk
In this direct immersion production we are exploring Connection. Usually we see connection as more of a relationship since we ourselves observe us as detached individuals. However, what if connection is more than this and is in itself much more physical bond. Here, tool of exploration is gravity. We use personal connection to explore physical expression of binding asking simple question: Do you need better postural alignment? Be it inherited, caused by work habits, injuries, stress or emotion - does the state of your physical posture drain your energy? Does it result in pain? Or perhaps lack of mobility? Do you feel a need to move? Move more or better? Do you feel like lagging behind – or perhaps – left behind?
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Participants interested in physical aspects of embodiment as well as embodied connections are taken on path of efficiency and hence physiological and mental efficiency resulting in energy surplus.
